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Beggars in Spain follows the life of Leisha Camden, one of the first of a literal new breed of humanity. As the favored daughter of a powerful data industrialist she is given every possible advantage, which in this world includes in utero genetic engineering. This includes exceptional physical appearance and intelligence, freedom from any genetic defects, and even a newly developed modification: the ability to live without sleeping. Because Leisha's father begrudges his body the few hours a night it demands from him, he ensures that his daughter will never have to give in to such a fundamental frailty.
As Leisha grows into a young woman, though, the doctors and geneticists tracking the development of her and the other Sleepless discover that the effects of their tinkering reach far beyond their intent. The biological advantages these children were granted are so great that they stretch the definition of human--or at least, the limits of what unmodified society is willing to accept as human. In a capitalist society that is predicated on the notion of competition driving advancement, the Sleepless are simply so much better at competing that their only real competition is among themselves. And, as with other times in human history when great economic power is held by those without the political or physical power to hold it, lawful competition must eventually be set aside in favor of a more effective means of redistributing wealth.
These big social concepts are almost entirely explored through Leisha's relationships with the people around her. Most important is the strained bond between her and her unmodified fraternal twin sister, Alice. Alice is, both by biological reality and conscious choice, everything Leisha is not, and she provides a proxy through which we can see how Sleepers deal with their new reality as an inherently inferior race. Alice's counterpart among the Sleepless is Jennifer Sharifi, as intentionally inhuman as Alice is human, and a leading voice in Sleepless internal politics. The other loves, rivals, and simple acquaintances in Leisha's life all play a role in shaping her personal philosophy and vision of how to bring together a society that is dangerously, perhaps irreparably, fractured. Finally, to close the circle, a new generation of SuperSleepless are developed that are as far beyond the Sleepless as the Sleepless are beyond the Sleepers. 10/10
(The following two books will be discussed in less detail to try to minimize spoilers, but some may still slip through.)
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In the meantime, however, life goes on for the unmodified humans that no longer live on Earth so much as inhabit it. Beggars and Choosers tells the story of the Livers and their Donkeys, the regular people who have been made economically obsolete and the upper class that controls society and 'works' for the Livers by providing them the food, shelter, and leadership they need. Most of the book deals with these lower classes trying to discover the machinations of the elite Sleepless and almost godlike SuperSleepless by following Diana Covington, an agent of the Donkey government, as she infiltrates a Liver community. This particular group of Livers has a story about a magical place they call Eden which Diana believes is a key to unraveling the wheels-within-wheels plans of the Supers.
A key parallel plotline is narrated by Drew Arlen, Leisha's adopted son. He is, if anything, even more human than Leisha's sister Alice, physically and emotionally crippled but possessing a talent for creating holographic stories that touch their viewers at a subconscious level. Arlen's self-pitying attitude is put to the test when he meets a group of humans who, though they are not disabled as he is, face even bigger challenges because they are social and economic outcasts in the Sleepless-dominated society. Rating: 8.5/10
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2 comments:
Well, 'Beggars in Spain' is now going on my library list immediately (I didn't read the commentary on the others, as I dislike knowing too much about books I read beforehand). I haven't ready any of Nancy Kress' work before, but this review definitely has me intrigued.
I think these 'retroreviews' are a great idea for giving older works their due.
Great, I'm glad I got somebody interested! Like I said, even though the first book is sometimes thought of as a 'significant work' I really think this series deserves a higher profile in the SF community. They're truly excellent books. Hope you enjoy!
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