Showing posts with label Vernor Vinge. Show all posts
Showing posts with label Vernor Vinge. Show all posts

Sunday, July 19, 2009

Guest Review of Marooned in Realtime

Vernor Vinge, in the days before he became a three-times-running Hugo award winning author, was merely a two-times-running Hugo nominated author. Last year I reviewed the first of those two novels, The Peace War. The second novel, Marooned in Realtime, is a sequel to Peace in the sense that it takes place in the same universe and timeline, but you have to think rather broadly to call it a sequel given the fifty million years that pass between the two books. Then again...

Mysteries are inherent to the lives of many living in the small community around Korolev Castle. The Rag-Tag Town is a collection of a few hundred survivors that represent the last dribs and drabs of humanity. Why this might be, nobody knows; whatever caused the rest of the human race to disappear happened while the survivors were trapped in bobbles, a sufficiently advanced technology that removes a chunk of the universe from reality by wrapping it in an impenetrable sphere. No time passes within bobbles though, and eventually bobbles burst to release their contents back into the normal frame of spacetime exactly as they were when the bobble was created.

Beyond the great mystery of what happened to billions of people on Earth and spread throughout the Solar system, many of the town's residents have much more personal mysteries. Some have no idea where-or when-their neighbors come from. Even many of those who do know are not sharing their knowledge since most of them are the high-techs, a group of people who were bobbled very close to the disappearance and have the highest levels of technology and power-and therefore intrigue-in the community. Wil Brierson, former detective, has an extra mystery: he doesn't know who bobbled him fifty million years ago, taking him away from his life and family in the 22nd century and throwing him into an unimaginably distant future.

Unfortunately, not all of the mysteries are quite that old. Yelén Korolev, the woman who has been gathering together the last remnants of humanity over the course of millions of years, has been killed. The murder weapon: old age. The computers controlling the town's bobblers were hacked to initiate a hundred year bobble while Korolev was stranded outside in realtime, leaving her to live out the next forty years as the only person on the planet before she finally succumbed. Now Brierson has to start unraveling some of the secrets surrounding the last members of the human race to figure out who killed her before the fight to fill the power vacuum left by her death destroys them all.



In my review of The Peace War I said that it felt like a throwback sort of novel, more like a Golden Age sci-fi book than one that was written in the 1980s. Marooned in Realtime had a similar feel, but for a completely different reason. While The Peace War had a similar structure to many of the stories that came out of that age, Marooned in Realtime reminded me very specifically of Issac Asimov's Robot mysteries. Beyond the stylistic similarities that it shares with Peace, Marooned seems to draw on many of the same character archetypes that Asimov used in books like The Caves of Steel and The Naked Sun. In particular, Brierson and his de facto partner Della Lu map nicely onto Lije Bailey and R. Daneel, so it was very easy for me to think of Marooned in those terms.

All of these similarities make it difficult for me to judge Marooned objectively. The Robot novels are basically what I learned to read by and have remained some of my favorite science fiction books ever since (despite Asimov's early flaws as a storyteller, which I certainly acknowledge). So reading Marooned put me back in my happy-fuzzy-little-kid place, and it would be almost impossible for me to have not liked it because of that.

That being said, Vinge was a better storyteller at the time he wrote Marooned than Asimov was at the time he wrote Caves. Brierson and Lu are much more human than Bailey and Daneel (and not just for the obvious reason), and the supporting cast Vinge created are certainly crafted with more subtlety than what Asimov wrote. Even more impressive, though, is that Vinge - at the late date of 1986 - manages to create a world that is as far outside the experience of many modern sci-fi readers as Asmiov's was to his readers in the 1950's. While hard sci-fi has thoroughly explored the social and technological implications of space travel, it has not gone nearly as far in looking at travel across great gaps of time, and most of those books still get caught up in playing with the rules of causality or the implications of MWI. The bobbler gives Vinge an opportunity to look at time travel in a very intuitive way: by making it into something that isn't really time travel. The universe continues on as normal, it's just that certain parts of it drop out for a while and then reappear. It is an entirely linear one-way process that is simple to understand, and because of this Vinge can focus on what is really going on when humans live out their lives on a geological time scale.

The RTT is also rendered very well, and it provides a very clear picture of Vinge's technological singularity concept. (Of course, it seems a little odd that the point of the singularity is that we cannot predict what the other side will look like and this book takes place entirely on the other side of it, but the disappearance of most of humanity neatly sidesteps this issue.) There are enough elements carried forward from Peace that Marooned can be rightly called a sequel, but the circumstances of the RTT are so different from the world of Peace that it feels like of bit of a cheat to connect them in that way. Peace's world was interesting; Marooned's town is unique. Vinge did flavor Marooned with a bit more of his math and computer science background than appeared in Peace, but being the geek that I am, that didn't exactly hurt it in my view.

Marooned in Realtime lacks the tremendous depth and scope of Vinge's later works, but the fascinating ideas behind many of his recent books are present in full force. Despite the distance between them The Peace War should still be read before Marooned due to spoilers, but ultimately, both should be read and enjoyed.

8/10

Monday, June 23, 2008

Guest Review of The Peace War


"Now, I am become death, the destroyer of worlds."
- Vishnu, by way of
J. Robert Oppenheimer

Vernor Vinge has developed into one of the greatest science fiction authors of the last few decades, despite producing barely more than a half-dozen full length novels in his career. His last three books have all won the Hugo award for the year they were introduced, and in two of those cases I can vouch that he produced works of startling depth, thoughtfulness, and creativity (I have yet to read Rainbow's End). Vinge's third novel, The Peace War, is not quite up to the standards of his more recent work, but it is still an above-average read that is worth spending a few hours on.

During the late 20th and early 21st centuries, humanity went through a series of trials that landed it in a post-apocalyptic dystopia, though one more interesting than the standard Mad Max-type. While in the midst of the long-anticipated Cold War showdown between the US and USSR, scientists develop a tool that can neutralize even the most powerful nuclear weapons being wielded by the two sides: the bobbler. The bobbler surrounds whatever it's pointed at in a bubble that functions as a cross between an impenetrable force field and a pocket universe. Since there can be no interaction between the contents of a bobble and the rest of the world, it is the ultimate power; anything from a single soldier to an exploding nuclear bomb can be simply removed from reality.

Recognizing the power of their creation, the scientists at the Lawrence Livermore National Laboratories don't just give up their creation to the government that funded it so it can be used to win the war; they decide to create a new, post-governmental world. They force an end to hostilities by bobbling the forces of both sides of the ongoing war, along with all the remaining global powers, and replacing them with the Peace Authority. The Peace Authority is mainly concerned with making sure humanity never again reaches the point where it can destroy itself, and to ensure this doesn't happen it uses the bobbler to eliminate not just dissidents and revolters but also the engineers, scientists, and technologists capable of producing advanced industry.

The Peace Authority's enforced stability and stagnation lasts for fifty years before it is rocked by a new discovery: bobbles expire. For Paul Naismith, the penitent inventor of the bobbler who has lived in hiding during the Peace Authority's rule, this discovery could be the wedge he needs to finally break the Authority's grip on global power. He has long been at the head of the Tinkers, an underground group dedicated to trying to raise the level of technology and the standard of living for those oppressed by the Authority, and--along with his new apprentice Wili--may finally be able to give the Tinkers the technology they need to fight back.



The Peace War
is somewhat of a throwback novel; to me, it feels like it was written during the golden age of science fiction, not in the mid-80's. Vinge posits a new sufficiently advanced technology, then builds a world around the consequences of that technology. With one exception, there is little time spent on character development or deep philosophy or even an intricate plot. Instead it is more like a not-so-strong Star Trek episode where two sides fight over who will find the right combination of technobabble to come out on top.

The exception I mentioned is Paul Naismith himself. Though the story is told from Wili's point of view, and Wili certainly plays a major role, Naismith is the only character with a real development arc that carries throughout the book. I kept picturing what would have happened to Dr. Oppenheimer had WWIII not only come to pass, but he was forced to live in the aftermath for the next fifty years, desperately trying to undo the effects of his work. This idea is enough to carry the book if you start to lose interest in exploring the mysteries of the bobble.

Beyond Naismith though, the characters are mostly uninteresting. Wili (to go back to Star Trek) fulfills the Wesley Crusher's Magic Beans role, and the other supporting characters are fairly stock. Vinge uses a somewhat annoying non-linear device in several chapters at the beginning of the book, which--though I understand why he did it--I think could have been done better. As with Vinge's other books, he sprinkles enough reality into his technobabble that readers with a college level understanding of computer science and higher mathematics will find some fun easter eggs, though understanding the references isn't necessary to following the plot.

Overall, The Peace War is a fairly quick, fairly fun read that brings to mind some of the old raw science fiction; it creates a technological toy, manipulates it like a child with a Rubik's cube, and provides just enough story structure to keep the whole thing from falling apart.

7.5/10